Reviews

DAYTONER: Off The Hook (Cabin Pressure)

Friday, 03 August 2018 12:13 Bill B E-mailPrintPDF

altDaytoner is UK band with a complex history. Their story begins with Dj/producer/general muso about Cornwall. Moss Daytoner. Since 2009 he's been creating music, he says, from his shed! As his reputation grew across the West Country he started to put together a live band to work the festival circuit where Daytoner shows evolved into a mix of live music and Dj sets; essentially they played live and the Dj injected samples and hooks into the output.

Daytoner, the band, is evolving too but the current line up is; Lucy Richards -Vocals; Jamie Graham- Keys / Guitar; James Frost- Drums; Patrick Redmond- Bass; Andrew Worthy- Sax; and, of course, Mr Daytoner – producer/DJ/ general string puller.

'Off The Hook' is the band's debut album – now widely available after a limited run in vinyl, when it won the support of funk and soul tastemakers like Craig Charles. We're told that the album title refers to the fact that the set (unlike their previous work) features no samples – just the band's original parts alongside the lyrics of singer, Lucy Richards.... and my word, what a singer! Ms R delivers like a vocal tsunami – full of passion, commitment, grit, energy and, yes, soul. In places you can hear the influence of divas like Aretha and Etta James while her approach clearly owes something to the tradition laid down by dear old Amy Winehouse.

Track that's currently winning airplay is the tough, loose, funky 'I Get By' – Muscle Shoals meets New Orleans via Cornwall! Amongst the other highlights are a quartet of Northern soul pastiches – 'Needed You', 'Second Stomp', 'Games' and 'Sicka' which is cleverly built around the gospel standard 'Wade In The Water'. Now we all know that the Northern crew are very pernickety and probably wouldn't touch Daytoner with a barge pole... they'd say they weren't "authentic". However, if you covered up any of these four tracks and passed them off as long lost artefacts from a 60s indie studio in Chicago or Detroit, they'd believe you. They are that authentic!

All very breathtaking! The respite come via the southern soul flavoured 'Stop And Go 'and the Latin kissed 'Pacific'. In truth I could have done without the gimmicky, cod, 20s style rag time opener 'The Winning Hand'. But take that away and you have a tough, rough hard-hitting, unusual soul album. Watch out for Daytoner; especially watch out for Lucy Richards!

(BB) 3/5

Last Updated on Friday, 03 August 2018 12:50

 

DEE BROWN: Remembering You (Innervision)

Thursday, 02 August 2018 11:05 Bill B E-mailPrintPDF

altMost artists make records 'cos they love to make music; some because they have a point to make or a story to tell; sadly, some enter the studio just to fulfil contractual obligations. dee (not a typo, he doesn't capitalise that forename) BROWN'S latest long player was created for none of those reasons. Sure, he love's making music but his 11 tracker that is 'Remembering You' was born out of real tragedy. You see a couple of years back the Detroit-based jazz guitarist was engaged to gospel diva, Shaunia Edwards. As the couple were finalising marriage arrangements, Ms Edwards was stricken with a serious and sudden illness; tragically she died.

Grief stricken, dee went through the classic stages of mourning but as he emerged he decided to remember, embrace and celebrate what he'd had rather than to dwell on what he was missing. He was confident that was what Shaunia would have wanted. And what better way for a consummate musician to celebrate than to make music; so dee turned to writing and recording a suite of tunes to honour and celebrate his fiancé's life and 'Remembering You' is the result.

Given that, you won't be surprised to learn that 'Remembering You' is a joy-filled affair and amongst that joy perhaps the jauntiest cut is 'Hey Baby' which poignantly features a bright if short intro from Ms Edwards. The vocoded 'Pop The Question' rides a solid soul vibe too – both tunes classic examples of guitar-led smooth jazz. however, the D-funk remix of 'Pop' shows that dee can do "tough" too. The set's only vocal is the gentle 'Follow You' which features sweet and minimal cooing from Ester Todd and Winzell Kelly. Amongst the other album collaborators is Valdez Brantley (one time Usher's MD) who delivers some tasty keyboard parts.

REMEMBERING YOU is out now on Innervision Records

(BB) 3/5

Last Updated on Friday, 03 August 2018 09:59

 

MILLIE JACKSON: Exposed (Ace/Southbound)

Wednesday, 25 July 2018 19:58 Bill B E-mailPrintPDF

altThe wonderful Millie Jackson needs no introduction on these pages. She is a soul super star and thankfully most of her best, classic work is easily accessible. New material, though , is rare so to satisfy Jackson fans in particular and soul lovers in general, Ace Records embarked on an ambitious project a year or so back.... they brought in top UK producer and mixer, Steve Levine to reimagine 12 of Ms J's best.

Levine has a remarkable track record. He started off in the punk era but went on to work with the Beach Boys and Culture Club. Those gigs secured his reputation and since then he's worked with plenty more big names . He became chairman of the Music Producers Guild and has produced and presented all kinds of music shows for the BBC. A Brit and Grammy award winner, he works out of a studio in Liverpool and it's there that he worked on the Millie Jackson project.

Essentially Ace, who have the license to work Spring product, digitalised Millie Jackson's original multi-track analogue recordings and charged Levine to come up with something a little different but which retained the essence of the woman!

He choose 12 tracks – including 'My Man A Sweet Man', 'If Loving You Is Wrong 'and the Isaac Hayes duet, 'Sweet Music, Soft Lights And You' - and his efforts have just been released on CD (and for those who like new-fangled technology, on a seven track vinyl LP). It's important to note that these new mixes aren't what we night call "contemporary mixes" where mixers and producers add new elements to the original recording. Here Levine only uses original material – tracks recorded at the original sessions. And come on ... who would meddle with stuff laid down at Muscle Shoals or "sweeteners" recorded by people like David Van DePitte at Detroit?

The result is music that isn't better than the original – just different... maybe a wee bit sharper, maybe a wee bit edgier; let's call it a new perspective. The Ace people tell us that the album's been called 'Exposed' because these new mixes "open up" the tracks. Make up your own minds! 'Exposed' is out now.

(BB) 4/5

Last Updated on Wednesday, 25 July 2018 20:16

 

GREG CHAMBERS: A New Day (www.gregchambersmusic.com)

Tuesday, 24 July 2018 19:00 Bill B E-mailPrintPDF

altBack in 2014 we were mightily impressed by a lovely smooth jazz album from San Francisco's Greg Chambers'. The long player in question was 'Can't Help Myself' and we enjoyed its polish and soulful undertow – typified by the standout, 'Wait Awhile'.

Right now classically-trained Greg, has just released his latest offering – the ten tracker that is 'A New Day' – like 'Can't Help Myself', it's a master class in what the best, old fashioned smooth jazz is all about; that's to say, strong melodies, a soulful vibe and a polished, clean and clear delivery that makes no real demands yet offers plenty of laid back enjoyment.

'A New Day' boasts plenty of foot-tapping, moderate up-tempo moments – best typified by the title cut; though 'When I Think Of You' and 'Midnight Drive' offer more of the same. If "Quiet Storm" is more your thing, you'll find plenty to enjoy. Sweetest of the down-time moments is 'Gotta Get Back To You' while there's an enchanting horn riff on 'Side To Side'.

Most ambitious or experimental track (though maybe "experimental" isn't the best word to use in the smooth jazz context) is 'Tell Me All Your Secrets'. There's a touch of electro about this one and Preston Smith's flugelhorn adds some welcome alternative shading.

Sadly, we think, there are no vocal tracks (if I remember, there were two on 'Can't Help Myself'); a vocal or two – maybe even a cover version – might just have added a little variety. That said, 'A New Day' does offer everything good that we associate with smooth jazz and like Greg's earlier albums, it's sure to make its mark on the smooth jazz album charts.

(BB) 3/5

Last Updated on Tuesday, 24 July 2018 19:12

 

LIVE REVIEW: Judith Hill @ Birmingham's Pizza Express Live 17/7/2018

Wednesday, 18 July 2018 16:18 Charles Waring E-mailPrintPDF

                          alt

There was a time when Prince's female protégés were gifted with good looks and not much else besides. But that's not the case with Los Angeles-born, JUDITH HILL, one of the Purple Potentate's final discoveries, whose combination of photogenic beauty and genuinely jaw-dropping musical talent shows why she deserves to be taken more seriously than the likes of Vanity, say, or Apollonia Kotero, or even Jill Jones. Though her mentor, sadly, is no longer with us, Prince's musical DNA certainly lives on in some of the blistering funk grooves that Judith and her six-piece band (which includes her mom and dad on keys and bass respectively), served up in Birmingham's Pizza Express venue. Sadly, and inexplicably, the place wasn't filled to the rafters, but that didn't seem to perturb Judith and her cohorts, who went full throttle from the start and never gave less than their all.

Alternating between grand piano and electric guitar (which she donned for the harder funk numbers), Judith proved to be a charismatic performer  whose gospel-reared voice proved to be a superbly expressive and flexible instrument. Though she can scream and holler like Aretha at a church revival - especially on the uptempo material - she also intuitively knows how to nuance her voice on the gentler songs and gradually unfurl a story in a sensitive and emotionally-intelligent way.

The highlights of her two-hour performance ranged from the juggernaut funk of 'Turn Up' and 'Jammin In The Basement' to reflective, life-affirming anthems such as  'We Are One' and the moving 'Angel In The Dark.' As well as playing key cuts from her 2015 Prince helmed debut album 'Back In Time,' Judith also premiered new material from her forthcoming opus and stage ballet, 'Golden Child,' including the super-funky 'The Pepper Club,' the anthemic 'We Are One' and the uplifting ballad, 'Irreplaceable Love.'  She also threw in a delightful cover of The Staples Singers' Curtis Mayfield-penned '70s hit, 'Let's Do It Again,' where her terrific backing vocalists got to shine in the spotlight. 

On this evidence, Judith Hill is a dynamite talent who deserves a bigger audience than the rather meagre one that turned out on a stickyTuesday night in the UK's second biggest metropolis. Hopefully, at the Pizza Express in London tonight and tomorrow (18th and 19th July), more people will turn out to see her and experience this outstanding 21st century funk and soul phenomenon in person.

(CW)

Read SJF's interview with JUDITH HILL here:

http://www.soulandjazzandfunk.com/interviews/5580-much-closer-to-stardom-rising-singersongwriter-judith-hill-talks-.html

Last Updated on Wednesday, 18 July 2018 16:42

 

Page 2 of 433

    

Search

My Account

To comment on an article you must be registered and logged in.