Interviews

MARCUS MILLER SPEAKS – ‘TUTU REVISTED’: REMEMBERING MILES DAVIS.

Thursday, 05 May 2011 07:15 Charles Waring E-mailPrintPDF

Marcus_TutuAfter a 30-year association with Columbia Records – which had begun with 'Round About Midnight' way back in 1956 – MILES DAVIS decided to sever ties with his old company and jump ship to Warner Bros. That was in 1986 and although a large amount of money helped facilitate his move, the iconic jazz trumpeter was in search of fresh musical inspiration. He found it in an unlikely source – MARCUS MILLER, a 25-year-old Big Apple bass player who had first played with the 'Dark Magus' on his 1981 comeback album, 'The Man With The Horn.' As Davis discovered, Miller was much more than a mere bassist – he was a gifted multi-instrumentalist who could write, arrange and produce (he also had a parallel career in the R&B world as Luther Vandross's collaborator). Miller came up with 'Tutu,' which with its reliance on synthesizers, drum machines and inclusion of pop elements and funky bass lines horrified many jazz critics. But it was an influential album and took Miles' music to a new generation of listeners....

Last Updated on Friday, 06 May 2011 10:49

 

AMBROSE AKINMUSIRE – JAZZ’S RISING NEW STAR SHINES BRIGHTLY…

Monday, 02 May 2011 08:49 Charles Waring E-mailPrintPDF

ambroseakinmusire1SJF's Charles Waring talks to jazz's hottest new property about his life, music and Blue Note debut album, 'When The Heart Emerges Glistening.'

"This is a very clichéd thing to say," explains genial horn man, AMBROSE AKINMUSIRE, from his home in Oakland, California "but I never really had a period of just checking out trumpet players. In fact, I don't like the trumpet." Realising the absurdity of this statement – given that he's a trumpet player and one that jazz critics have been recently raving about - he laughs: gently at first, but then uproariously. For a man that makes intensely serious music, Ambrose Akinmusire is almost crying with laughter. "Look, I listen to trumpet players but not exclusively," he corrects himself, his laughter subsiding, replaced by a more sober tone. "But I've always checked out other people – like Coltrane and Herbie (Hancock), Ahmad Jamal - because I feel that a lot of jazz musicians get caught up in their instruments and they only check out people on their instrument." ...

 

 

Last Updated on Monday, 02 May 2011 09:00

 

WARD’S RIGHT THERE WHERE HE SHOULD BE ....

Friday, 22 April 2011 07:59 Bill Buckley E-mailPrintPDF

Promo_1Genial Chicagoan WARD BROWN is best known for fronting BROWN'S BAG. The outfit released two mighty fine modern soul albums – 'Labour Of Love' and 'Soul Satisfied' and both were acclaimed by the soul cognoscenti . For the past few years WARD'S been working on a major solo project. Working with RAYMOND EARL (of INSTANT FUNK), the set – 'Where I Should Be' - is almost set for release and those who've enjoyed a sneak preview concur that the LP will finish as one of 2011's very best soul albums. www.souljazzandfunk.com caught up with WARD to find out more about the exciting project, but first, for those unfamiliar with him and his work we wanted some personal background...... 

I'm WARD BROWN; my first release was 'Labour of Love' and following that album I released 'Soul Satisfied'. They were credited to BROWN'S BAG. I was born in Chicago and still reside there. I grew up living next door to MUDDY WATERS and after hearing him and his band rehearse when they were in town and watching guys like JAMES COTTON, PAUL BUTTERFIELD and all the blues guys, I caught a music bug that I just could not get rid of. I started playing drums with bands throughout Chicago at a very young age, which led to writing songs and working with several record companies around town. Somehow that blossomed into singing and playing guitar, owning a recording studio and eventually here we are with 'Where I Should Be' – an apt title ... don't you think?

Tell us a little about your music background .... who were the soul artists who influenced and inspired you?

I was born into a family of musicians. My oldest brother played keyboards and sang, the second oldest was an incredible bass player and singer and during that time I was one of the better drummers in the area. I really don't know how it happened, but we always played music. My early ambition was to make it to the cover of Modern Drummer magazine, then I started following the careers of guys like NARADA MICHAEL WALDEN and seeing that a lot of drummers were actual producers too. Somewhere during that time TSOP, MFSB, INSTANT FUNK and the Philadelphia sound really grabbed me and I found myself listening to the big production soul sound...Philly International, BARRY WHITE, etc.

 

WALTER CHRISTOPHER... SO AMAZING!

Sunday, 06 March 2011 13:04 Bill Buckley E-mailPrintPDF

waltNew Yorker Walter Christopher is a new name to most UK and European soul fans though inveterate seekers of quality soul will be aware that WALTER already has two albums under his belt. The boy from Harlem is now set to issue his third long player, 'It's All About Love Vol 2' and long before release – one track, 'There You Go Again' made the Starpoint Top 20 songs of 2010 chart.Stateside, the lead single – 'So Amazing' (no, not the LUTHER VANDROSS song) has won a place on countless radio station playlists. Clearly MR. C is destined for big things, so we needed to know more. We caught WALTER at his Harlem home and began by asking for a brief personal run down..... 

My name is Walter Christopher. I was born in North Carolina but relocated to Harlem, N.Y. as a child. As a child I liked to play basketball and eventually did gymnastics. I also studied some martial arts.

Tell us a little about your music background ... why did you get involved in music in the first place... who were the artists who influenced and inspired you......

My interest in music was originally sparked as a child listening to my mother's vinyl records. She played artists like ARETHA FRANKLIN, AL GREEN, GLADYS KNIGHT, THE SPINNERS, and THE TEMPTATIONS just to name a few. I also watched a lot of the TV show 'Soul Train'. As a teenager I sang in the church choir and that experience really fanned the flame of my desire to be a performer.

Last Updated on Friday, 11 March 2011 11:04

 

JUMPIN’ WITH GINGER.....

Thursday, 03 March 2011 19:34 Bill Buckley E-mailPrintPDF

GingerTonyNRWSoul Unsigned's first release of 2011 is a second compilation from Solar Radio's GINGER TONY. Snappily titled 'Jump Start 2', the set is as uncompromisingly eclectic as the first volume which GINGER and Soul Unsigned released last year. Because 'Jump Start 1' was critically acclaimed, embraced by soul collectors – AND praised and utilised by TONY'S fellow DJs, we needed to find out more about the new set and the man who put it together. Pinning down the self-effacing GINGER, we began by discovering some revealing personal details.....

My real name's TONY FARMER and I'm proud to say I'm a Cockney! Yes – born within the sound of Bow Bells - but my family moved from East London into the Sutton/Croydon area where I started DJ-ing in my mid-teens. Although my DJ partner STEVE LOWLES and I were on the mobile circuit (Weddings/Birthdays etc.) we did have our own "proper" music events. "Buffers" in Sutton High St. was always fun on a Monday night for us! By the time I'd hit my thirties, I decided I really wanted to play only the music I was into and ditched the mobile DJ thing. At the time I was in the printing industry, so with shift patterns etc I had plenty of spare time to throw myself into the "Soul Scene". Having moved into Essex (work commitments) I started to go to places like the Lacy Lady. Having only experienced South London's scene (apart from the occasional Prestatyn Weekender) I did enjoy making new friends and learning about the Essex scene. When I started DJ-ing in Essex I was still TONY FARMER - it was the late, great FROGGY who suggested the name "GINGER". He wasn't serious, but I thought "what the hell..."

 

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